by fernand de Beauvoir

Juan Pablo Castel noticed María Iribarne attentively looking at the corner window of his painting, in Ernesto Sábato‘s El Túnel. here, there’s no loneliness in looking out the window to draw the attention of a María, for it’s just an offering in many contrasts to the principal play of geometries and shadows. there’s a loneliness at the top of the tower at Karluv Most (Charles Bridge), and in that regard, the loneliness driven into Juan Pablo Castel could co-exist here.